Director: Mike Sandejas
Cast: Glaiza de Castro, Rayver Cruz, Rhian Ramos, Arci Muñoz, Matt Lozano
Rating: ★★★☆☆
At first glance, ‘Sinagtala’ looks like your typical band-reunion drama—a story about once-close friends brought back together by fate and unfinished business. But dig a little deeper and you’ll find that this Mike Sandejas film, his first feature in over a decade, is more than just about broken friendships and lost dreams.
It’s a spiritual journey, one wrapped in music, redemption arcs, and a good dose of Christian messaging.
Plot and Themes. The story revolves around the members of a once-famous band named Sinagtala, who went their separate ways after tragedy struck their lead vocalist, Reggie (Rayver Cruz). Years later, each of them receives a cryptic video message that prompts an emotional reunion. One by one, we meet Paola (Glaiza de Castro), June (Rhian Ramos), Carla (Arci Muñoz), and Isko (Matt Lozano)—each with their own demons, regrets, and emotional baggage.
The narrative is woven through therapy sessions and flashbacks, as the bandmates reflect on what tore them apart and what could possibly bring them back together. What binds the story isn’t just their shared history but their search for meaning, healing, and a reason to move forward.
Performances. Glaiza de Castro is the emotional core of the film. Her Paola is a picture of grace and strength, grounding the group in faith and purpose. Rayver Cruz delivers one of his stronger musical performances, particularly in a moving rendition of ‘Forever Blue,’ but his acting falters in the more dramatic beats. Rhian Ramos gives a layered performance as June, balancing rebellion with vulnerability, while Arci Muñoz surprises with a deeply emotional portrayal of Carla, though occasional lip-syncing issues during musical scenes slightly mar the impact. Matt Lozano shows promise but struggles with consistency, particularly in more emotionally demanding moments.
It may not hit every note perfectly, but ‘Sinagtala’ has its moments of clarity, courage, and emotional resonance. Like the band it portrays, it stumbles at times—but when it comes together, it sings.
Together, however, the cast lacks a bit of chemistry—the sense of a once-tight-knit band isn’t always fully convincing. Some scenes feel disconnected, and the transitions between each character’s storyline could have been more fluid.
Direction and Style. Sandejas opts for a non-linear structure, moving from present-day encounters to past traumas through flashbacks and character monologues. While the intention is clear, the pacing suffers. Some emotional moments land, but others are undercut by abrupt tonal shifts or underdeveloped dialogue.
One standout technique is the use of vlog-style confessionals, where characters speak directly to the camera. This breaks the fourth wall in a way that feels fresh and personal, drawing viewers into the characters’ inner worlds without becoming too preachy—a delicate balance, especially in faith-driven narratives.
Music and Message. The music is undoubtedly Sinagtala’s strongest element. Original compositions blend well with familiar covers, all serving to underscore the emotional weight of the film. Each lead gets their moment to shine vocally, and the songs—particularly ‘Laho’—resonate both thematically and emotionally. This film is practically begging for a soundtrack release.
But beyond the melodies, the film’s true voice lies in its message: That healing is possible, that everyone has a purpose, and that faith—whether in a higher power, a friend, or yourself—can be the guiding light back home. It’s a modern-day parable wrapped in guitar strings and flashbacks.
LionhearTV‘s Verdict. ‘Sinagtala’ won’t be for everyone. Its spiritual undertones, uneven pacing, and occasionally on-the-nose dialogue might put off viewers expecting a traditional band movie or a slick concert drama. But for those open to stories of redemption, forgiveness, and faith, it delivers enough heart—and music—to make it worth the ride.
