loss is film projection. The projectionist gives the movie to the audience, and it’s that sense that even if there’s only one person out there in the dark, they know there’s someone up there showing them the film, giving it to them. You talk to the projectionists and for them, they are part of the filmmaker’s world. They see themselves as the last link in the chain.”
“In the middle of lockdown there was a racial reckoning in the world. We were left alone to contemplate how our own racial politics had been formed, and whether we had fallen down in our attempts to make sure the world was evolving. When I wrote the movie there was also another common obsession: we were all worried whether the cinema was going to die, along with live performances. So, all of those things have gone into this movie, and in that regard, it’s quite raw,” Mendes says.
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