One of the most endearing assets that “That Thing Called Tadhana” has is that, while it follows a simple storyline, it is delivered with utmost sincerity and honesty.
“That Thing Called Tadhana” arrives in an age of Philippine cinema where the romantic comedy genre is defined by its capacity to deliver and imbue “kilig” to the audience; it is expected to get silenced and drowned by the loud clamor and screams for the widely familiar rom-coms headlined by today’s biggest loveteams like KathNiel and KimXi, but it nonetheless, survives and sets itself apart, a quiet star amid the sea of supernovas.
The story begins with a chance encounter: a man (JM De Guzman) trying to lend a hand to a stranger trying to forget her past and its heartaches. They start a journey that both of them don’t know where it ends; it seems unlikely, but throughout that trip, something that isn’t familiar, develops, it moves in a lazy pace, but it nevertheless feels right and heading to a better place.
Tadhana’s message is delivered in quiet and unassuming ways, yet it’s recognizable, and speaks in deafening volumes to everyone who shares the same struggle that both the leads are undergoing.
Without the female lead’s (Angelica Panganiban) seemingly endless rants and emotional outbursts, the film is naturally quiet and calm.
This is the film that isn’t too reliant on music or any heavily orchestrated score to set its mood or enhance whatever it is that is already there, instead, it lets its own natural melodies hum and conjure the necessary emotions needed to make every scene work.
That being said, you would also realize, that everytime it makes use of music as an emotional tool, it works perfectly and delivers the shiver in numerous folds. You would applaud on how endearing and genuine the performances of our leads are; in spite of the cliché lines they throw now and then, it is how realistic their presentation of both their dialogues and characters, that make the two and their stories, really relatable. Angelica is brilliant here, so is JM, and together they make an undeniably overwhelming chemistry.
The question “Where Do Broken Hearts Go” rings throughout the whole movie. As our protagonists take attempts to answer it, the film makes us travel from Rome, Manila to Baguio and to the breathless landscape of Sagada. Tadhana never answers that, but it sends a hint that wherever it goes, as long as you’re moving on, it will end up being OK.
This movie deserves a perfect 10/10. (Contributor: Jeremiah Cabebe)
